In line level interconnects you usually have a source impedance < 200 Ohms, and an input impedance in the 10-20k ohm range. Without going into all the nitty gritty details of Ohms law, signal transmission is "easiest" when the input impedance is about 10x higher than the source impedance. But that voltage must be developed across the the input impedance of the destination by the source impedance of the source. Signal is always transmitted between devices as a *voltage*. However, a guitar has s significantly higher source impedance (on the order of several hundred K ohms), whereas a typical line output has a source impedance well under 100 ohms. 5-1V (Which is not far below the fairly standard +4dBu reference level). Normalizing the track before export will only really change the final capture volume, but I normalize all of mine to -3 dB true peak for consistency.While technically you can "make it work" with a low level line out, there are some complexities at play.Ī typical guitar outputs a signal level around. If you also want to send it my way I can pass it along to Steve I'm the other mod there and also working on an FAQ right now since there are so many new people, so it could also be a good spot to add it. The normalization I mentioned earlier is just for plugin playback volume between captures, and has nothing to do with actually capturing Normalizing the track before export will only really change the final capture volume, but I normalize all of mine to -3 dB true peak for consistency. But with NAM everything I capture is exactly where it should be with respect to gain levels. And ironically, this does not seem to get tonex to be correct - there's something weird going on there. My process has been to measure the voltage of my reamp box to and then verify by ear that it sounds right. You could also do this more crudely the way tonex suggests by ear by plugging into the amp and then the interface->amp to make sure the gain is correct coming through the interface chain. The best way is to actually measure that what you're sending into the amp is the right level via multimeter or level measurement. They key is to make sure you're reamping with the right level of gain coming from the interface to the amp via a reamp box (hence the above discussion). I would too maybe if it was 10/15 years ago. For some people, its not a huge ask to put some time aside to do and I totally understand that others are happy to do all kinds of stuff for free. It's just way too much time and effort to do all that to a good enough quality that I'd be happy. They are all qualities that paid products should have, and to do properly, really requires dedicated work.įWIW, besides the odd freebie, there's no way I could make all my captures for free. I really love the tech and the direction its going in, but I'd actually rather it was incorporated into a paid product with fixed criteria, proper support, guaranteed stability etc. Its also too risky for me to rely on plugins that are less stable, and likely to change in behaviour as time goes on. I haven't fully dived into using NAM yet - mostly because of the lack of AAX support, but also the fact that it only supports 48kHz. Click to expand.Yeah definitely think if a few of the heavy hitters establish some kind of a standard, then it would be mad to do something different.
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